violence violently violates the one in violone
one in violone being violated by violence
the violone is violence
and it’s violence that violently violates violence
violence violates the one in the violated violone
and the et in the violet violone
et in the violet violone is violated by the ence in violence
but it’s the in in the violin
that violets the violated violence
one in violated violone violets Violette
one in violence of the violated violone
and in in the violin
violently violate Violette
so the onist makes violence of a violonist
the same one had made her a violone
therefore
Violette violently plays the violone
she plays with the cellist
of the violent violoncellist
this one violates the one in violone
whilst that one
takes flight with the onist in the violonist
happily at this hour
our violator and/or ing violating
are violently violated by the actor and actress
of the ing in the violator and the violating
it’s with the one in violone
that violating is violated
and it’s with the in in violin
that the violator is violated
violated and unveiled
the in in the violating violin
and the on in the onist of the violonist violator
violently violated violence and the violatable
and is at the table of the violatable
that the inviolable is violated
violated at the table
the inviolable and all that is stable
all that is stable and therefore violentable
the s in stable is done violence by the in in instable
in in instable and in in violin
are violated by the ette in Violette
and by the et of her little violet
viewing what hides Violette’s little violet
is playing the feat of voyeurs
the f in frying fire in the feat
is the smiling of the f in fire
the smiling of the f is the rite of fire
e in rite followed by r in rite
followed by s in smiling at the end of the feat
it’s the fire of felt
e and r are the felt of the fire of the earth
the smiling of the f in frying the fire
being only a rite of the earth of fire
the fire of earth is on the earth of fire
where the one in violone is at the in in violin
the fire of earth and the earth of fire
play their double feat
on the one and the in in violone-violin
that in turn puts the fire and the earth
in its feat
that consists in setting fire to the earth
and the f in fire in front of the doubly hard r in earth
false friends and perfect image of the couple
the one and the double are doubled by the triple
that thus defeats the androgynous feat
of the one and the in
the n in one and the n in in
the n in o in i and in in
the i in o in o in n
at the high of hate
[ Ghérasim Luca, “Triple” in Héros-Limite, 1953 ]
