Comments for tragicoptimist http://tragicoptimist.com write. one word. at a time. Fri, 18 May 2012 11:56:17 +0000 hourly 1 http://wordpress.org/?v=3.3.2 Comment on Rabid Dog (9) by tragicoptimist http://tragicoptimist.com/2012/05/rabid-dog-9.html#comment-118 tragicoptimist Fri, 18 May 2012 11:56:17 +0000 http://tragicoptimist.com/?p=703#comment-118 Yes. You do need to get your blog going. As far as bumping lines on car hoods, you are going to take that up with the author. Translators only have so much liberty. Yes. You do need to get your blog going. As far as bumping lines on car hoods, you are going to take that up with the author. Translators only have so much liberty.

]]> Comment on Rabid Dog (9) by cody http://tragicoptimist.com/2012/05/rabid-dog-9.html#comment-115 cody Thu, 17 May 2012 18:20:38 +0000 http://tragicoptimist.com/?p=703#comment-115 Well,..I rather like it,...i need to get me a blog going..licking of his own cum though? i mean it's vivid, it's just I've never been a big fan of cum,..don't get me wrong I love glazin a knuckle but it always grosses me out,....also if you don't mind a touch of a critisizm as I have been helped much by yours,..a guy who uses coke that would even care to save it with his hand would never chop a line on the hood of a car,....he would key bump it or somthing,...because unless he has a lot and just doesn't care the hood of a car just doesn't work,...but I like the imagry,..is this guy a cop then? Well,..I rather like it,…i need to get me a blog going..licking of his own cum though? i mean it’s vivid, it’s just I’ve never been a big fan of cum,..don’t get me wrong I love glazin a knuckle but it always grosses me out,….also if you don’t mind a touch of a critisizm as I have been helped much by yours,..a guy who uses coke that would even care to save it with his hand would never chop a line on the hood of a car,….he would key bump it or somthing,…because unless he has a lot and just doesn’t care the hood of a car just doesn’t work,…but I like the imagry,..is this guy a cop then?

]]> Comment on Xmas by Anonymous http://tragicoptimist.com/2010/12/xmas.html#comment-13 Anonymous Sun, 26 Dec 2010 22:57:38 +0000 http://tragicoptimist.savoirscommuns.org/archives/76#comment-13 Thank you for ruining my Xmas. <br /><br />Smileycry Thank you for ruining my Xmas.

Smileycry

]]> Comment on coca party by Lisa http://tragicoptimist.com/2010/07/coca-party.html#comment-11 Lisa Fri, 05 Nov 2010 14:01:32 +0000 http://tragicoptimist.savoirscommuns.org/archives/62#comment-11 My professional opinion?<br /> I appreciate the artistic value of the writing style. I feel like you had a story in your head, and then proceeded with a flow of consciousness method until you had it all down. The feel is choppy, kind of like people's speech when they have had a little blow. Nice touch.<br /><br />However, its very hard to follow. If people don't understand what is being presented to them, they won't genuinely like it. Therefore, I see this story best portrayed on stage. A narrator is seated stage right with a spotlight. The rest of the stage is empty, save the small group of people doing some blow around a table. The action taking place in the background would reveal the true story with out following the narrator's speech. Everything comes together at the very end. Ah, resolution. Maybe it is just one of a 3 part show commenting on the social/political unrest in Italy. <br /><br />Anyway, that's all I've got! Keep up the good work! My professional opinion?
I appreciate the artistic value of the writing style. I feel like you had a story in your head, and then proceeded with a flow of consciousness method until you had it all down. The feel is choppy, kind of like people's speech when they have had a little blow. Nice touch.

However, its very hard to follow. If people don't understand what is being presented to them, they won't genuinely like it. Therefore, I see this story best portrayed on stage. A narrator is seated stage right with a spotlight. The rest of the stage is empty, save the small group of people doing some blow around a table. The action taking place in the background would reveal the true story with out following the narrator's speech. Everything comes together at the very end. Ah, resolution. Maybe it is just one of a 3 part show commenting on the social/political unrest in Italy.

Anyway, that's all I've got! Keep up the good work!

]]> Comment on Respect by Anonymous http://tragicoptimist.com/2010/05/respect.html#comment-8 Anonymous Fri, 24 Sep 2010 18:41:11 +0000 http://tragicoptimist.savoirscommuns.org/archives/47#comment-8 man... man…

]]> Comment on toit top by Anonymous http://tragicoptimist.com/2010/09/toit-top.html#comment-7 Anonymous Mon, 20 Sep 2010 22:22:28 +0000 http://tragicoptimist.savoirscommuns.org/archives/66#comment-7 la prossima volta vengo anch'io ! ! ! ! ! <br />mariù la prossima volta vengo anch'io ! ! ! ! !
mariù

]]> Comment on venice walking by rosa http://tragicoptimist.com/2010/09/venice-walking.html#comment-6 rosa Sat, 04 Sep 2010 08:25:14 +0000 http://tragicoptimist.savoirscommuns.org/archives/65#comment-6 vabbè.. bello jason. belle scarpe.<br />:) vabbè.. bello jason. belle scarpe.
:)

]]> Comment on venice walking by Anonymous http://tragicoptimist.com/2010/09/venice-walking.html#comment-5 Anonymous Sat, 04 Sep 2010 08:24:32 +0000 http://tragicoptimist.savoirscommuns.org/archives/65#comment-5 masegni, masegni ;) masegni, masegni ;)

]]> Comment on aesthetic dilemma by Anonymous http://tragicoptimist.com/2010/06/aesthetic-dilemma.html#comment-4 Anonymous Sat, 12 Jun 2010 23:23:01 +0000 http://tragicoptimist.savoirscommuns.org/archives/54#comment-4 I like. <br />Marta I like.
Marta

]]> Comment on millenovecentosettantanove by Shea http://tragicoptimist.com/2010/06/millenovecentosettantanove.html#comment-3 Shea Mon, 07 Jun 2010 00:32:33 +0000 http://tragicoptimist.savoirscommuns.org/archives/51#comment-3 but of course but of course

]]> Comment on jour 261 by n-1 http://tragicoptimist.com/2010/06/jour-261.html#comment-2 n-1 Sat, 05 Jun 2010 12:23:51 +0000 http://tragicoptimist.savoirscommuns.org/archives/49#comment-2 when ? when ?

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